happy b-day, Beebo.

i love this massive star to death. so much talent in such a small human being. i adore him with my life. i’m telling you, my whole life.

i’ve been following this man since Panic! At the Disco became a thing. i was there from the beginning. and i would follow him to the end of the World.

~talk’s a waste of time~

Post apreciativo: Panic! At The Disco

porque: ¿podemos hablar de cómo todo el mundo (o al menos la mayoría) dice que es una "banda de minitas"? implicando que P!ATD es sólo una cara bonita (que estaría siendo la de Brendon...? wut). pero ¿nadie se sentó a escucharlos de verdad? o sea: claramente sus fans sí, pero, you know what i mean.

yo escucho y sigo al cabezón hace 12 años ya. sí, desde que eran 4. sí, desde que estaba Brent; que vos seguro que ni idea de quién es, pero no importa, porque es no es una compentencia sobre quién puede nombrar más ex-miembros de Panic!. ¿en qué estaba? ah, sí, 12 años siguiendo a Panic!. tenía 14 años cuando salió y escuché por primera vez "Fever". ¿podemos hablar sobre lo excelente que es este album? o sea: lo escribieron 3 pendejos (porque todos sabemos que Brent se la rascaba por burro) de 17 años. tres pibes de 17 años hablando de abuso de alcohol/sustancias, fama, sexo, ir de putas, y venganza. ¿vos que estabas haciendo a los 17? porque yo todavía lloraba por lo malas que eran las nuevas temporadas de Pokémon. o sea, en la época, mi yo de 17 años pensaba que 17 años era re grande y adulto, pero vamos: todos sabemos que todavía sos un mongo nene de mamá.

de más está decir que Ryan Ross es uno de mis letristas favoritos. el flaco era un puto genio. todavía espero que vuelva a Panic! o que haga más música. y acá estoy, volviéndome esqueleto. en fin, "Fever": no solo a nivel letras, pero a nivel música, arreglos y armonías, tiene un grado de consistencia que hace que cada canción se complemente con la siguiente y todo funcione como album (concepto que, en mi opinión, se perdió un poco en los últimos años). ni hablar de lo que se canta Brendon. sí, si lo comparás con lo que se canta Brendon ahora, suena re pt, pero de nuevo: diecisiete años. otra cosa: nótese que Panic! venía haciendo mezcla de géneros e introduciendo partes de electrónica antes de que fuera "cool". nada, dato de color.

no voy a ahondar en la época oscura que fue "Pretty.Odd.". quisiste hacerte el Beatle, Ryan. intentaste. un horror. o sea: el album funciona como album. tiene alta producción. Brendon ya estaba con la voz más asentada, pero... no sé, fue raro... raaarooo. el único buen recuerdo (?) que tengo es "I Have Friends In Holy Spaces"; o quizás es sólo mi odio por Jon Walker hablando (puto, ¡devolveme a mi Ryan!).

moving on! incluso después de que se fuera el letrista, que no le faltó tiempo para decir (repetidas veces) que Brendon no podía escribir letras, Panic! volvió fuerte con "Oh Glory", que si bien la escribió Pete Wentz, technically, fue un gran "Ryan, who?! I don't know her!" (RyRo, volvé T.T)

"Vices & Virtues" es otro claro ejemplo de por qué P!ATD no es "banda de minita". y acá me quiero concentrar en el excelente laburo de batería que se mandó Spencer antes de morir (?) y dejar solo a Brendon que pobre hizo lo que pudo (*EJEM*"Too Weird To Live; To Rare To Die"*EJEM!!!*). eh, un paréntesis para admirar las skills de bajo de Brendon también.

ahora, Butch Walker: sos un genio, de eso no hay duda, pero ¿por qué verga lo dejaste a Brendon usar tantos efectos en su voz? con el alto vozarrón que tiene, ¡la puta madre! en fin, voy a rescatar las letras, porque pobre Brendon, la pasó para el ojete en muchos aspectos de su vida.

y así llegamos a "Death Of A Bachelor", ya ni me acuerdo cuál era el hilo del post, pero ¡PUTA! ¡QUÉ BUEN ALBUM! nunca putée tanto a Brendon como la primera vez que escuché DOAB", pendejo de mierda. metió jazz por todos lados y ni te diste cuenta (?). de nuevo voy a remarcar sus skills como bajista. es germoso el protagonismo que le da en todos los temas. ah, musicalmente es un espectáculo y ni hablar de lo que hace a nivel voz. Brendon del orto, me deja sin palabras.

¡LO QUE SUENA EN VIVO ENCIMA! o sea, no que lo haya visto/escuchado porque el muy conchudo no vino nunca, pero por videos. si no creés, mirate todos los videos en vivo que subieron a la página de YouTube oficial, porque es espectacular.

además de que es una de las pocas bandas que hacen altos covers. creo que no hay (al menos no que yo conozca, lo cual no significa nada) una banda que haga mejores covers que P!ATD.

así que, al próximo que diga "Panic! At The Disco es una banda de minita", piña en la nariz.

además, no entiendo: si tiene un tipo, es banda de minita. si el cantante es un tipo, es banda de minita. si son todos tipos, es banda de minita. si canta una mina, es banda de minita. ¿qué banda no es de minita? ¿qué tiene que tener? un tipo gordo con la barba hasta el ombligo que toque metal y grite en un micrófono? btw: Corey Taylor es hermosos y tiene 5 octavas y media de rango vocal, so: jokes on you (?).

moraleja: Panic! no es banda de minita, y aguante Brendon Urie, vieja.

yapa:

lo amo. also: aguanten Kenny, Dan y Dallon. o sea: Spencer es buen batero, pero Dan es re capo. y Kenny le pasa el trapo a todos los guitarristas que tuvo Panic!. y Dallon <3: Jon, LTA.

stay alive, frens |-/

"Too Weird To Live; Too Rare To Die!" - Album Review (2.0)

ever since "Death Of A Bachelor" came out (BEST.ALBUM.FUCKING.EVER) i've been on a P!ATD spree (yes, i'm aware it's been three monts already, sue me... i'm still obesessed, that's how firetrucking good it is), and i decided to give "Too Weird To Live; Too Rare To Die!" a second chance... because last time i listened to it, i pretty much almost killed myself: that's how much i hated it... and, i don't need an excuse! besides, it's Brendon's birthday (?)

i really, really enjoy the cover... not that it matters, but.
hate the haircut, like the suit, love the man.

"This Is Gospel"

i still think special effects on Brendon's voice are totally uncalled for. BUT: the song ain't that bad; piano version is a thousand times better, but the studio version holds its own. i really like the lines "these words are knives and often leave scars" and "don't try to sleep through the end of the world and bury me alive/'cause I won't give up without a fight". to which i didn't pay attention before because i was too mad at the effects on Brendon's voice...

#Excuses.

"Miss Jackson"

ou, em, gee, these lyrics! i just love how this girl broke him so bad. i mean, don't get me wrong, if i ever get to meet her (because daydreaming is still for free) i'd punch her in the tits, but... damn, the boy is broken. thank god for Sarah and her beautiful doe eyes for saving him <3

anywho! i said something about the video don't making sense, and i really didn't watch it again, but: who gives a shit if it doesn't make sense, this song's amazing!

"Vegas Lights"

oh, dear, i love these lyrics. this song doesn't sound particularly good on the album, because effects and shit (which by now i've stated several times, i don't like), but live... it's fucking awesome. i mean: "we're swimming with the sharks until we drown" -> I LOVE YOU, BRENDON URIE.

"Girl That You Love"

well, i obviously hated this song in 2013... i'd still do if it weren't Brendon. i mean, it's too electronic for me. lyrics again: i can hear your heart breaking, dude! he needs like twelve tequila shots and a tight hug.

"Nicotine"

i loved it then, i still love it now. this song... man, i'm speechless.

"Girls/Girls/Boys"

by now you should know i'm basically eating my words from the last post about this album; i regret nothing: i kinda like this song; i like the aproach of liking the person for who they are instead of for what their gender is. i said of the video: "i don't give a fuck who he was trying to pay a tribute to, it doesn't make sense with the song at all. and i saw parts of Brendon i really didn't want to.". i kinda still stand by that. i love Brenny to death, but, dude... no.

"Casual Affair"

i like the groove of this song and that high note in "atmospheee~re"... YES, PLEASE. lyric wise is kinda the cool counterpart of "Miss Jackson", i think.

"Far Too Young To Die"

again: waaaaaay too techno for me, or whatever the kids are calling it these days. but it's a cute song, it's a nice listen.

"Collar Full"

it's still the nice dancy song it was in 2013. meaning: i liked it then, i still like it now.

"The End Of All Things"

best. song. ever. well, you know... it's a ballad... with piano and Brendon... and piano... yeah, i love it.

so, overall: this album may not give the best first impression, but give it a chance, there's way more to it than what you first listen to. i'm starting to think maybe i shoulda cut Brendon some slack; or maybe i wasn't quite there yet to understand it, emotionally and shit like that, you know? anyway: if you didn't like this album before, give it a new listen, it's gona surprise you... who knows? you might even end up loving it.

i also said this: "i sincerely miss RyRo's lyrics. they were absolutely majestic. that guy had a gift for writing and he missed his chance for following Jon Fucking Walker out of the band and then getting abandoned by him. goddamn you, Ryan Ross! you should've stuck with Panic! At The Disco ¬¬". and i also still stand by it.

i'll leave you with this:

because this is THE best "This Is Gospel" version ever. oh, Brendon Boyd Urie, you talented man...

If you're listening to this... you're the Resistance.-

*End Of Transmission*

"Death Of A Bachelor" - Album Review

first of all: this is my 700th post in the 'Music' tag on this blog, so... kudos to me! :D
now that that's outta the way, i'm gonna just jump into the track by track...

Victorious

oh.

my.

fucking.

GOD!

the melody is so fucking good i can't explain what it makes me feel. he hits all those notes that i'm pretty sure not many men in the World can. Brendon Fucking Urie. if he takes this on the road and plays it full band it's gonna rock SO-HARD (that's what she said), you know what i mean? like R5 does with "Heart Made Up On You". if he does something like that with this song i might have a heart attack listening to it live.

Don't Threaten Me With A Good Time

that bass riff. just... get the fuck out of here, you fucking beast! again, the melody is crazy. i really like when Brendon screams at me; when he hits those high notes only he (and Patrick Stump, obviously) can it's like... i can't even.

Hallelujah

i really enjoy these lyrics, and i think the trumpets give a nice touch to the general background. also: that fucking run before the second pre-chorus. preach, Urie, PREACH!

Emperor's New Clothes

Brendon hitting high notes. i really don't need much more. i dig that acapella line, it was a neat touch.

Death Of A Bachelor

this song is so different from anything P!ATD ever released, but it fits nicely in the album, in my opinion. of course, Brendon can sing whatever genre he pleases, because he has an incredible voice and he's insanely talented. it's a nice song.

Crazy=Genius

first thing that came to mind when i listened to this song was "Top Hats" (aka: "There's A Good Reason These Tables Are Numbered Honey, You Just Haven't Though Of It Yet"). i love that song, and this song is really good: i honestly have nothing else to say, it's just a very, very good song.

LA Devotee

LA Devotee is a nice pop song. it's just the kind of song you'd sing along to driving down the road in the middle of the afternoon with the windows down and the wind hitting your face... you know? if i actually had a car. or could drive at all. anyway: the point is: it's a dancy, pop, sing-along song that you want to listen to when you're happy, or just to cheer you up. Brendon: nice change of key in the last chorus, you handsome man! ;)

Golden Days

power verses and pre-chorus. the chorus, on the other hand, sounded a little too Katy Perry to me. still: is Brendon screaming into my ears: keep it coming.

The Good, The Bad And The Dirty

starts off with acapella. nice. real nice. good chorus. good bridge. just good all over.

House Of Memories

piano: yes. he hits impossible notes again, just like in "Victorious", just because he can. i love this man so much. it's definitely a radio song, i would've released it as a single. i know nothing about the music biz, but i think it would've made the charts its bitch in hours. side note: i really like the sudden end.

Impossible Year

this song is just Brendon being Brendon. he made his Frank Sinatra dream happen. and he did gooooooooood. really. it's a very awesome ending to the album. i take my top-hat off.

ok. so, generally, the album is really good: both musically and lyrically. i think he out-done himself: he definitely did a much better job than with "Too Weird To Live; Too Rare To Die"... man, that album sucked balls.

in "Death Of A Bachelor", we can hear real instruments, for once; there's a little synth here and there, but it's really pleasing to the ears to listen to good old-fashioned guitar and bass riffs in most of the songs. also: barely no effects on Brendon's voice, which seemed to be a major trick on the last album, like he needed some help to sound good. i mean: what?! that man can sing whatever the fuck he wants: he has a huge vocal range and he's not afraid to take risks musically, and honestly: i'm just begging he takes this tour to Argentina (South America/Latinamerica/whatever) because i'm dying to listen to this songs live.

dude, i feel like a proud mom. i've been a fan of Panic! for over ten years. i've seen Brendon at his best and worse. "TWTL;TRTD" was a rough patch, but he made it through and proved he can make it on his own. my little boy has grown :')

If you're listening to this... you're the Resistance.-

*End Of Transmission*

30 Day Song Challenge - Day 08

A song that you know all the words to

and i love every single word in it.
stupid sexy Brendon being all cute and dancing

If you're listening to this... you're the Resistance.-

*End Of Transmission*

"Nicotine" - Panic! At The Disco (Official Music Video)

well... the video is just as bad as i thought it'd be. but the song is still amazing. i looooove how Brendon screams at the chorus... :sigh: his voice ♥

xo-

~ My Chemical Romance is done. But it can never die. Because it is not a band- it is an idea. ~

INTERVIEW: Panic! At The Disco's Brendon Urie on "Too Weird To Live; Too Rare To Die"

oh, Brendon... i hate "Too Weird To Live; Too Rare To Die", but i still love you.

xo-

~ My Chemical Romance is done. But it can never die. Because it is not a band- it is an idea. ~

Panic! At The Disco - 'Girls/Girls/Boys' LIVE Post-Soundcheck in Miami

don't get me wrong, the lyrics are still stupid, in my opinion. but this version of the song is so much fucking better than the studio one. Brendon's clean voice. that's all i ask for. that's what fucking got me into firetrucking Panic! At The Disco in the first place...!

xo-

~ My Chemical Romance is done. But it can never die. Because it is not a band- it is an idea. ~

30 Day Song Challenge - Day 26

A song that you can play on an instrument

"Always" by Panic! At The Disco, on guitar.

xo-

~ My Chemical Romance is done. But it can never die. Because it is not a band- it is an idea. ~

"Too Weird To Live Too Rare To Die" - Album Review

or should i it be: "Too Weird To Be Too Lame To Buy"? maybe: "Brendon Urie's Solo Project"?

anywho! let's go for the track by track review, and then i'll do an overall, which SPOILER ALERT! is basically gonna be me saying how much this album sucks.

"This Is Gospel"

what the hell?! seriously: special effects on Brendon's voice?! completely unnecessary and totally ridiculous! the music reminds me of a Britney Spears bad song that never really got to the top 100 on iTunes. the lyrics don't make much sense at all. it sounds to me like Brendon was aiming for a "Kings & Queens" or "This Is War" kinda lyrics but just couldn't really get them there. 

on top of that: the video is just plain ludicrous.

"Miss Jackson ft. LOLO"

the lyrics are so damn empty. it annoys me. also: LOLO shines for her absence; the part she gets to sing in the song is completely forgettable. again with the special effects on Brendon's voice. i can't hear any real instruments in this song. at all.

then again: the video doesn't make sense at all.

"Vegas Lights"

ok. i'm gonna give it to Brendon. these chorus lyrics kinda make sense with all that's been happening to Spencer (though really sad: i still think it's really stupid and borderline funny). but the music is too electronic. i would've prefer this song to be really quiet, like acoustic. just Brenny and his guitar. it would've sound so much better.

"Girl That You Love"

STUPID FUCKING SPECIAL EFFECTS ON BRENDON'S FUCKING VOICE. you gotta be freaking kidding me, the guy has one of the most beautiful, amazing voices of our generation! if not of all time, and he keeps ruining it with the fucking effects. i hate this song so much. and the lyrics are still empty and lack a story.

"Nicotine"

finally some real instruments! not in the way i want them but... still: real instruments. well, the music still sounds too electric to me, but the melody of the voice is beautiful and it does sound like Panic! At The Disco. FINALLY! i love that Brendon's voice is clean. i love the background vocals. i loooooove that Brendon screams to me when he says: "you're worst than nicotine". music to my ears. kudos, Urie.

"Girls/Girls/Boys"

"girls love girls and boys"? seriously? you gonna talk about bisexuality? really? i'm not even gonna get into the lyrics because they're just plain lame. at least in this song he also used real instruments. the bass riff is actually quite cute.

don't even get me started with the video! i don't give a fuck who he was trying to pay a tribute to, it doesn't make sense with the song at all. and i saw parts of Brendon i really didn't want to.

"Casual Affair"

ugh! we're back to the special effects on his voice. i fucking hate this song. it's slow and the lyrics are all over the place. i kinda like the small riff of the piano at the end, though. cute.

"Far Too Young To Die"

no. no. no. no. again with the effects. again, no real instruments playing in the song. the lyrics are like: meh. ok. you can think he may be talking about everything that happened to Spencer, once again. still: i don't like it.

"Collar Full"

this song starts kinda cute. it sounds more like what i think Panic! should sound like. well, what i recognize as P!ATD. the lyrics are ok. i can't complain much. i wish Brendon's voice sounded a little more clean, though. i think it would've worked so much better for the song. i mean: it's a dancy, somewhat happy, song. it's fine. and it has real instruments in it. that makes me happy (:

"The End Of All Things"

this song is just beautiful. i really, really love it. the lyrics are soft and simple, but they express something  far more complicated than you'd think. and it's just what everybody wants to hear from a loved one. you can either think it was meant for Sarah, or even maybe Spencer. even though it says "we're in love", i mean: when you're in a band together, you can't be just friends. i'm not saying they have some sort of bromance or anything, but... well: if you get the picture, you get it. otherwise, nevermind. i know what i mean. it's a perfect ending to a very awful album, cuz it makes you forget songs like "This Is Gospel"...

so, overall:

i hate the album: except for "Nicotine" and "The End Of All Things". "Collar Full" is kind of in a limbo to me. cuz i've got nothing against it, yet i don't love it. but yeah, the album is way too electronic and it sounds nothing like something Panic! At The Disco would do. it feels as if Brendon didn't take enough time to really work on it. or maybe they were being pressured by the label to release an album right away, and Brendon didn't want Spencer to just stop taking care of himself to write an album, so he put all that weight on his shoulders and... well: "Too Weird To Live Too Rare To Die" happened.
i love "Vices & Virtues". i love everything about it. the music, the lyrics. even the artwork. but i sincerely miss RyRo's lyrics. they were absolutely majestic. that guy had a gift for writing and he missed his chance for following Jon fucking Walker out of the band and then being abandoned by him. goddamn you, Ryan Ross! you should've stuck with Panic! At The Disco ¬¬

xo-

~ My Chemical Romance is done. But it can never die. Because it is not a band- it is an idea. ~

30 Day Album Challenge - Day 16

The newest album you own

at least i think it is "Vices & Virtues". haven't bought "Paramore" or "Save Rock And Roll" yet -> no fucking money. and "LOVE LUST FAITH + DREAMS" isn't even out yet (i'm freaking out about it, it's gonna be awesome...!!!)

xo-

~ My Chemical Romance is done. But it can never die. Because it is not a band- it is an idea. ~

Batman: Arkham City

Esta canción es muy genial. Brendon del orto ♥

NECESITO JUGAR ESTE JUEGO YAAA!!!

xo- 

~ if you're listening to this... you are the resistance ~

Panic! At The Disco Live@Reading Festival (2011)

xo-

~ if you're listening to this... you are the resistance ~

Panic! At The Disco@Bristol O2 Academy (2012)

Panic! starts min. 18

xo-

~ if you're listening to this... you are the resistance ~

Ay, Brendon...

¡Mirá esa cara de boludo! ¿A vos te parece, Urie?

Haha... qué genio que es. Cómo lo quiero. Otro ídolo. Pendejo del culo, tenía diecinueve años nomás y ya estaba volviendo locas a las pendejas en Denver, Colorado... un turro, talentoso, sorete. ¡Cómo te envidio! -> no por la parte de volver loca a las pendejas, claramente, me gustan los nenes. Pero... el talento. Se nace con ese talento. Turrito. Lo adoro.

Felices veinticinco, Brendina. Te quiero (:

xo-

*End Of Transmission*

Nearly Witches (Demo)

Escuchar esto te hace apreciar el laburo que significa llevar un demo a una canción. Quiero decir: "as a boy I ate my wishes on golden tooth picks and digested then with wolf intestines", ¿en serio? O sea: me cago de risa. De hecho, todavía me río, pero si "Nearly Witches (Ever Since We Met...)" me caía con esta frase podía llegar a morir: "como un niño me comí mis deseos en palillos de dientes de oro y los digerí con intestinos de lobo". ¡¿INTESTINOS DE LOBO?! (lo peor es que rima en español).
Esto es de hace un par de años, antes que se separaran. ¡Pero el hecho de que esté todo como el orto no te da el derecho! Es la mayor bizzarrés que escuché de... ¡nadie!

Here I am
Composing of burlesque
Out of where they rest their heads
Sulking in their splintered cradles
And ramshakled hands
They asked for it
As a boy
I ate my wishes on golden tooth picks
and digested then with wolf intestines

I fell from the heavens
As a fetish blessed with
An operatic skeleton
And as the stars watch me descend
I crack a family tree and
Chopped off all of the branches

I fell from the heavens
As a fetish blessed with
An operatic skeleton
And as the stars watch me descend
I crack a family tree and
Chopped off all of the branches

¿Cómo...? Explicame cómo ¿partieron de esto para llegar a "Nearly Witches (Ever Since We Met...)"? Como convirtieron: "as a boy I ate my wishes on golden tooth picks and digested then with wolf intestines" en "matching set of marching clocks the slumbering apparitions that they've come to wake up" y "as a girl you have set your heart on haunting me forever from the start is never silent". Te juro, no tengo la más pálida idea.
Pero la cuestión es: no podés decir que Brendon no es un buen letrista, si conocés esta historia. Convengamos que Ryan Ross aparece como co-escritor de "Nearly Witches (Ever Since We Met...)"; aunque ahora que lo pienso, tal vez sea por ese único pedacito que quedó del demo "here I am/composing of burlesque/out of where they rest their heads/sulking in their splintered cradles/and ramshakled hands/they asked for it"
Ya no sé qué pensar. Lo único que sé, es que me alegro que todo terminara así:

Es una de mis canciones favoritas de "Vices & Virtues". Brendon, Spencer: los odio por no poner "Oh Glory" en el álbum. Es muy, muy, muy, muy, muy, muy, muy, muy, muy, muy, muy, muy (se entendió) buena esa canción.
("intestinos de lobo"... qué hijos de puta...)

xo-

*End Of Transmission*

Panic! At The Disco’s ‘Batman’ Song “Mercenary”: Idolator Premiere

Reitero: maldito Brendon ¬¬

Anyways:

"Panic! At the Disco's "Mercenary" is part of the upcoming Batman: Arkham City video game soundtrack, a stacked affair that features artists like Coheed and Cambria, Blaqk Audio, and The Raveonettes. But this isn't just some tacked-together collection of hot artists (cough cough, Twilight) -- it's a fully themed affair. Panic not only sing of "collateral damage" and making you "shiver, make your backbone quiver," they went so far as to incorporate a sample of dialogue from the game, featuring Bat-villain Hugo Strange taunting the Caped Crusader. Check it out, and don't hesitate to throw up the Bat Signal (er, share the song) via our indispensable, newly embeddable music player."
Via Zach Dionne 4 hours ago

As commanded.
Genial. Como siempre. Pocas veces, Panic! decepciona con una canción. Y cuando digo "pocas veces", me refiero a "nunca".

xo-

*End Of Transmission*

Es como todo lo que siempre quise y nunca pedí...

Panic! At The Disco haciendo covers excelentes, como siempre. Ya los extrañaba. No se me aceleraba tanto el corazón desde que escuché a Brendon cantar "The Weight" de The Band.
A mí me llega a saltar con algo así es un recital, y se la canto hasta que se me salgan los pulmones por la nariz...!!!
¡GENTE!
¡Es "Carry On My Wayward Son" de Kansas! ♥♥♥

¡Cómo AMO esta canción! ¡Ah! ¡ME ENCANTA!

Dallon es muy tierno, me lo llevaría a mi casa si pudiera x3

xo-

*End Of Transmission*

Top 20: "Best Songs To Cheer-Up"

Porque la gente tiene que saberlo (?)
Alrighty: estás super depre y querés mandar todo a la mierda... entonces, en vez de hacer eso, te armás el siguiente playlist y seguís con tu vida como si nada:

01. "Shut Up" - Simple Plan

No hay mejor banda que Simple Plan para levantarte el ánimo. Y esta canción en particular realmente te hace sentir que valés la pena. Es un verdadero grito de autoliberación y apreciación.

02. "Checkmarks" - The Academy Is...

Okay, dejando de lado mi enamoramiento para con William Beckett, hay que aceptar que si alguna vez te sentiste usado (y/o basureado) de alguna manera y te diste cuenta: esta canción es tu himno.

03. "I'm Not Okay (I Promise)" - My Chemical Romance

Cuando escuchás esta canción y te hace sentir bien, es porque llegaste a un punto de tu vida en que ya no te importa aquello que te causaba tanto malestar, pero lo tenés presente. Siempre.

04. "Don't Want You Back" - Backstreet Boys

This song is soooo not for 'break-ups' only. Es aplicable a cualquier situación si le encontrás la vuelta. Es un poco como "Shut Up" de Simple Plan, solo que más que como grito va como puñalada en la espalda.

05. "Ignorance" - Paramore

¿Quién no se sintió traicionado por un/a amigo/a alguna vez? O quizá no un amigo, sino alguien a quién apreciaban y de repente les dio la espalda echándole la culpa a ustedes mismos. Bueno, definitivamente Hayley Williams encontró la frase perfecta para esa sensación "ignorance is your new best friend".

06. "A Place For My Head" - Linkin Park

(no me canso de decir que esta versión en vivo es mucho mejor que la del album)
Esta canción si que te lleva adelante en una situación de stress y dejadez. Es una bofetada en el rostro que te suplica que te des cuenta que algo anda mal. Quiero decir: si te sentís identificad@ de alguna manera con esta canción: algo anda mal, sabelo.

07. "Tearin' Up My Heart" - N'Sync

Es imposible que te sientas identificado con esta canción, pero la vocecita de Justin Timberlake a la tierna edad de 16/17 años, siempre te hace sentir bien. ¿Qué digo? Lo ridículo de los '90 te hace sentir bien. O sea: ¡mirá las ropas que traían!

08. "Capricorn (A Brand New Name)" - 30 Seconds To Mars

Esta canción representa todo lo que uno quiere hacer cuando se siente inútil y no querido. Abre las puertas a la imaginación y te hace sentir que no sos el único.

09. "Under The Bridge" - Red Hot Chili Peppers

Hablando de sentirse solo y desamparado, esta canción es una bofetada en la otra mejilla que te dice que siempre hay algo, alguien, algún lugar, en donde te vas a sentir a gusto, querido, y único e irrepetible.

10. "Passive" - A Perfect Circle

Ya acá enloquesiste y querés romper todo. Bueno, esta canción cumple todos tus sueños y fantasías... simbólicamente.

11. "Perfect" - Simple Plan

¿Quién alguna vez no sintió que sus padres esperaban demasiado de uno? Vamos, todos alguna vez vimos desilusión y decepción relfejados en los ojos de nuestros padres, y sentimos -al crecer- que todo aquello que habíamos construído con ellos se desmoronaba en cuestión de segundos.

12. "Sing" - My Chemical Romance

Esta canción es simplemente genial. No hay discusión: si no te hace sentir mejor esta canción, lo siento: nada lo hará.

13. "Hurricane" - Panic! At The Disco

Hablando de resentimientos, ¿no? Esta canción tiene escrito "¡¡¡chupalaaaaa!!!" all over it. Transmite el mensaje tan simple de: "sabés que soy mejor, y no vas a encontrar nada parecido a mí; vos elegiste perderme".

14. "Miracle" - Paramore

Esta canción es más para cuando la depresión es compartida. Es decir: de alguien más. Pero esa persona te importa tanto que te deprime que esté deprimid@ (¿se entendió?).

15. "Can't Catch Tomorrow (Good Shoes Won't Save You This Time)" - Lostprohets

"No me merecés y sos un/a loser", básicamente éso es lo que dice la canción. No puede no hacerte sentir bien.

16. "Folkin' Around" - Panic At The Disco
(sí, porque en esta época eran Panic At The Disco sin el "!")

La presente canción es una abertura de ojos a "dejá que tus amigos crezcan y se cuiden solos, al menos una vez". Y, personalmente, a mí me hace feliz el simple hecho de escuchar a Brendon Urie cantar.

17. "Forgotten" - Avril Lavigne

Temón para hacer sentir (a ese alguien que te hizo sentir tan mal) que no te merece y que te la bancás muy bien solit@.

18. "Dirty Little Secret" - The All-American Rejects

La intro sola ya te hace sentir bien...

19. "Thnks Fr Th Mmrs" - Fallout Boy

"Todo muy lindo, pero fuck you", en síntetis.

20. "Pretty Handsome Awkward" - The Used

"Todo muy lindo, pero fuck you", sólo que un poco más agresivo. Esta canción definitivamente te da ganas de patear algunos traseros.

Otras canciones que quizá te hagan sentir mejor:
"Beware! Cougar!" - The Academy Is...
"My Happy Ending" - Avril Lavigne
"Back To Me" - The All-American Rejects
"Welcome To My Life" - Simple Plan
"New Born" - Muse
"Sold My Soul" - The Used
"Breakin'" - The All-American Rejects

Y... probablemente muchas más ^^

xo-

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Come on!

Estoy re podrida de re-hacer informes. Los putos de IBMC no te explican las cosas bien. Nunca sabés qué mierda te están pidiendo. En fin: volviendo a temas más importantes, andaba con ganas de escribir algo; en realidad ando con ganas de escribirme un Chronicles, pero como que no tengo tiempo físico para hacerlo.
Ayer me fui a la re garcha (léase: "a mi casa") de la teórica de IBMC porque Archi me tenía las pelotas por el suelo. Tardó cuarenta y cinco minutos en explicar un experimento que Alberto y/o Coso hubiesen explicado en 15', tops. Es un imbécil, no me lo banco; además, me estaba quedando dormida, y para no prestarle atención, me iba a mi casa. Así que, me levanté y me fui. Cuando llegué me puse a leer inmunología del Alberts ♥. Buena onda.
Hablando de otras cosas, ya quiero escuchar lo nuevo de The Academy Is... ¡Ah! No puedo esperar...! Me están matando estos tres... Y bueno, AAR siempre será bienvenido a mi biblioteca musical xD Tyson, sos un genio. Nick Wheeler ♥ -es todo lo que voy a decir. Quiero el fucking EP de Paramore también; pero lo prometieron para el verano y recién estamos en Junio así que se los perdono. Creo que nadie más está haciendo nada. ¡Ah! Sí. Mika se supone que "está en eso"; haciendo su tercer álbum de estudio. No lo veo, señorito inglés. No lo veo (?) Y pretty much que el resto no me importa. O sea: Gerard y Co. están de gira, y Linkin espero que no esté laburando en música nueva, porque realmente quiero que vuelvan pronto. Muero por ir a verlos una vez más. Los putos de P!ATD podrían pasarse por acá, un ratito, digo... nomás; para hacer gira por Sudamérica, pero esta vez tocando en Argentina EN SERIO (o sea: en CAPITAL FEDERAL, no en MAR DEL PLATA). O sea: ¡MAR DEL PLATA! ¿EN SERIO? ¬¬ imbéciles... tenía que ser Brendon...

Me voy... estoy amando esta canción, no puedo esperar a ver Transformers ♥♥♥

xo-

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